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Live control
Drive channel faders, FLASH, MASTER and BLACKOUT in Live Control; run fixtures with the joystick and type tabs; stack scene layers on a panel.
Your fixtures are patched and a few Scenes are ready — now it’s time to go live. This guide walks you through Live Control’s raw DMX channel view (faders and FLASH), overall brightness with MASTER, instant blackout, fixture-based control in Fixture Control (joystick, type tabs), and how scene layers combine on a mixer panel.
Open Live Control
The top left shows which page you’re on: Channel 1–16 · Page 1 / 32. Use Previous and Next to flip pages. Each column has a channel number (like CH 001), its current value, a fader, and a FLASH button. MASTER and Blackout sit on the right. The top bar holds a full screen icon, a layout selector (default: Default (1–512)), Clear, the visualizer, and the Record tool.
Channel faders and FLASH
The channel numbers here are the DMX addresses in the universe. In the Patching and the address map guide, we patched Front 1 at address 1; its channels are dimmer, red, green, blue and white, in that order.
MASTER
MASTER scales the entire output proportionally. Bring it down to fifty percent, and every value on stage drops to half; the channel readouts show the output, so they drop too, but your settings aren’t lost. Push MASTER back to one hundred percent, and everything returns — perfect for setting the overall brightness through the night.
BLACKOUT
Unlike MASTER, Blackout kills everything instantly. Your values and MASTER stay where they are; press it again, and the lights come back exactly as they were. Use it in an emergency, during a set change, or right before a surprise.
Fixture Control and the joystick
If you’d rather not deal with channel numbers, use Fixture Control; its controls are grouped by fixture and by type.
The top-bar Clear wipes every value you’ve set by hand, on all fixtures rather than only the selected ones. It also sets MASTER back to 100%, turns BLACKOUT off, and stops any running scene or cue. Your device selection stays as it is.
Scene layers and priority
The real power is in scene layers. You’ll see how a panel like this one gets built in the Mixer Designer guide.
The layers merge, and on any shared channel, the highest value wins. Here’s the order of priority: scenes and cues merge as layers; channel values you set by hand override them; MASTER dims everything proportionally; Blackout cuts everything. While a panel is open, the blackout button sits in the top bar.
Clear
What’s next
To sum up: you drove channels with faders and FLASH, set the overall brightness with MASTER, blacked out instantly with BLACKOUT and brought it back, ran fixtures by type, and stacked scenes as layers. Up next: Effect Wizard — building beat-locked effects.
Updated: October 8, 2026